The ballet performances of “Coppélia” concluded on Saturday evening at the National Centre for Culture and Arts in the King Hussein Foundation, after running over two days on Friday and Saturday, drawing a large audience and notable engagement from different age groups.

The production, staged by the Centre and directed and designed by Rania Qamhawi, showcased a high artistic standard that reflected the professionalism of the performers. Around 50 dancers from the “Mask” troupe and students of the Dance Arts Department delivered refined and fluid choreographic pieces that received strong appreciation from the audience.

The performance featured three tableaux inspired by the comedic classical ballet “Coppélia”, which premiered in Paris in 1870 to music by Léo Delibes. The dancers brought to life the story of Swanilda and her fiancé Franz, in a theatrical format blending humour and fantasy.

The production was the result of intensive rehearsals lasting approximately three months, during which participants underwent structured training programmes aimed at enhancing their technical and physical abilities, clearly reflected in the quality of performance on stage.

The lead roles were performed by Jad Rikiya as Swanilda, Zaid Al-Rousan as Franz, and Mustafa Shalabi as Dr. Coppelius, alongside a group of dancers who delivered both ensemble and individual performances with precision.

The production also stood out for its visual elements, including costumes designed by Rania Qamhawi and Hind Al-Dajani, set design by Hamada Al-Shuini, and visual effects that further enhanced the artistic experience.

This performance is part of the Centre’s ongoing efforts to support and develop young artistic talent, with ticket proceeds allocated to funding continuous training programmes in performing arts, which benefit hundreds of children and young people throughout the year.

It is worth noting that the Dance Arts Department at the Centre, established in 1996, offers accredited training programmes in cooperation with the Royal Academy of Dance in the United Kingdom, while the “Mask” troupe continues to present works inspired by classical ballet alongside participation in local and international events.